Row the Wind

You scallywag scavenger,
                  throaty chatterer,
           who rows through the sky
                          with graceful pride,
                                 your wings black
                                                 and white
                                        dipping the wind,
                                        tipping like a canoe
                                but never capsized—
                           that is you,
                     O magnificent
                 Magpie!

Old-Fashioned Virtue amidst Newfangled Technology

Cricket songs in full thrum and twinkling hosts of fireflies—that was the world I lived in as a child, until either the mosquitoes or my mother corralled me into the house. Then there would be stories with Dad, during which I would draw horses or a poor replica of the Dawn Treader—or whatever else happened to be the subject of the story. We had a Saturday night show or two that we would watch as a family; there were stints of Captain Kangaroo, Reading Rainbow, or Disney afternoons, and the occasional film. Yet, by and large, my childhood was spent out-of-doors, riding my bike, playing ‘pioneers’ or ‘office’ with my neighbour girls, drawing, or reading.

Screens entered my daily life in high school, when we obtained our first family desktop computer. I started typing out my stories and editing a magazine for some school fellows. When dial-up internet made it to our home, I stayed up until the wee sma’s instant messaging friends or keeping up long e-mail correspondences with comrades scattered across the country.

Some parts of my imagination were laid to rest about the time I began having a screen in front of me often. Playing ‘pioneers’ with the neighbours was abandoned and I sorely neglected my model horses. I began writing stories instead of acting out the plots I had read or thought up with my friends. This may have been a natural shifting point for my imagination, but natural or not, technology facilitated the change. I had taken a step away from tangible reality, putting up a screen between myself and a first-hand experience of  life.

I was—and admittedly, still am—drawn to that flickering blue light like a moth to a flame. Yet something in me rebels, too. I have tried, in recent years, to take a child-like step backward. Now I often take the screen from betwixt myself and the colourful, sparkling,real world around me. I have a cell phone—a flip phone—that I turn off when I don’t want to be bothered. I read real books and write letters by hand. My upbringing without much ‘screen-time’ resonates all these years later in what feels life-giving. Though work and leisure often involve some form of glowing technology, when I write by hand or take an evening walk, or when I make dinner or fix my car, I feel more alive.

Screens seem to eat away at imagination and ingenuity. Sometimes it frightens me how prevalent screens are—I can’t hide myself or my yet-to-come children from them. But I have learned that there are ways to encounter the tactile world without the screen-barrier. Though we live in a different age than the technologically limited one in which I was raised, when I have children, I still want them to know the smell of a rose before they see one on a tablet. I want them to learn to roller skate and ride their bikes; to love going to the library for good books to read together; to want to colour or draw rather than watch a cartoon; and to know that if they say “But I’m bored!” they can do chores, not watch television.

This does not mean shunning technology; it has its place as a useful tool. The fact that I can call home whenever I want to without long distance charges is wonderful. My computer aids me in all kinds of endeavours—from looking up recipes and getting driving directions, to listening to music or audio books. Still, I want my children to learn how to use a map before they learn to use MapQuest; how to play music as well as listen to it; how to cook by ‘eyeballing it’, as well as by measuring every last thing; and how to read out loud proficiently, by listening to others and by practising the art themselves. I would like to have a big enough piece of the out-of-doors to let my children run around. A place to try to catch a squirrel through their own inventiveness (as I amusingly watched my neighbour children attempt recently).

You see, my desire is that ages and ages hence, my children will send handwritten thank you notes for gifts, and that they will text to let me know they made it somewhere safely. I want to be part of raising inter-dependent adults—persons who can use common sense in taking care of themselves and their possessions, but who know they are part of the Body of Christ, the Communion of Saints. I want them to have ‘old-fashioned’ virtues and to know history as they walk among ‘newfangled’ technology and speak truth into the present.

*This essay originally appeared at HumanePursuits.com

Unexpected Gifts from Saint Nicholas

ONCE upon a time, in a village across the sea, there lived a boy called Johann. He ran through the back alleys with several other urchins, stirring up trouble like dust. When there was enough food for his mother to make dinner, Johann would invariably arrive at that meal with dirt wiped across his face and holes ripped in his threadbare trousers. Very rarely was he in school, because he often got into fights there. So, perhaps it is not surprising that on Christmas morning, Johann did not find bundles of presents in his thin stocking. 

There were two hard lumps in the grey rag Johann had hung by the fire the night before. Saint Nicholas had left him something, at least! Plunging his hand down the sock, Johann's fingers enclosed upon a hard object. He pulled out a block of wood with no special markings, or purpose, it seemed. Disappointed, Johann felt carefully in the toe of his stocking and pulled out a hard, dusty stump of coal. Nothing else dropped out of the shabby sock when he turned it upside down, though a tear dropped out of the corner of his eye. He had not been good enough for Saint Nicholas to give him any gifts. Blocks of wood and chunks of coal were hardly gifts after all. Nevertheless, Johann put the items in his capacious pockets and ran out to play.

After wandering streets filled with puddles and deep ruts, Johann's stomach gave a grunt, then a rumble. He sighed, having nothing to put in that hollow place. Longingly, he eyed the various workmen eating their midday meals. The blacksmith, the candlemaker, the shoemaker, and the carpenter were all supping, at the very least, on bread and cheese. Without realising it, Johann had shuffled closer to these men, if only to fill his nose with the smell of the pottage the carpenter was drinking slowly from his earthen mug.  The man noticed the waif-like boy edging closer and called out in a gruff voice, "Boy! What are ye doing 'round here?"

Johann looked at his feet, not knowing what to say. The rough hand of the woodworker came down, none-too-gently, on his collar; a grey-grizzled face appeared before his downcast eyes. "I asked ye a question; I expect an answer." Johann shifted from one filthy foot to the other and mumbled, "Nothin'," hoping to be let go. "Not sufficient, mischief-maker," the carpenter hissed. "Here!" The big man thrust a broom into Johann's hand and pointed to a pile of shavings and dust. "Sweep that floor until every curl of wood is gone and I'll give ye your own bowl of stew." Johann started at this offer. Cautiously he looked at the bearded man to see if he was serious. The old man looked hard at him, then glanced at the wood chips. Johann began to sweep with more goodwill than he had ever had before. In a quarter of an hour the floor was swept smooth and clean. In a few minutes more, Johann's legs were dangling from a tall bench and he hungrily swallowed the bowl of promised stew.

"How would ye like to sweep my floor every evening after work?" the carpenter asked. Johann thought a moment. "Would I get a cup of soup every night?" The shadow of a smile brushed the woodworker's face. "Well, no. I can't promise tha'. But if I've a bit o' cheese, or bread, mayhap I could give ye that as wage." Johann needed no further convincing. "I'll come," he said. So, every evening before dark, Johann swept clean the carpenter's floor. He liked watching the man's big arms shave long curls of wood off of sleigh runners, cabinets, chairs, and tables. He became curious to know how the corners of cupboards were fitted so exactly together, or how a piece of wood could transform into the arm of a chair, with grooves and scroll work. But the magic Johann liked best of all was when the woodworker took a block of wood and turned it into a ladle, or a candle stick, or a figure of some sort. The animals and men spun from a single chunk of wood held captive Johann's thoughts before he drifted to sleep. He wanted to learn how to make such things, dreamed often that he had the tools and talents to do so.

One day, Johann screwed up his courage and asked the woodcarver, "Could you teach me to find the figure in the wood?" He hadn't meant to ask quite that way, but the very wording made the carver sit back and look at the boy. Yes, he would do. That scruffy, ragged boy knew that the figure was already inside the thick slices of pine and maple and ash. The wood had to speak to one's fingers about what lay inside; the carver couldn't just make the wood turn into a horse, or a man, or a bear. The bearded face slowly moved up and down in a nod. "I will loan ye my tools and answer your questions, but ye must find what lies inside the wood." Johann was delighted—and eager to begin. From his pocket he pulled out a chunk of wood, much-fingered and a bit rounded at the corners. "I have this block of maple that Saint Nicholas gave me at Christmas. Should I use that?" The carpenter nodded thoughtfully, and work began that very day.

In the weeks that followed, whenever Johann wasn't working around the shop—for he now helped the woodworker most of the day by handing him tools, sweeping, oiling tabletops, and polishing finished goods—he watched the woodcarver with rapt attention, or worked on his carving. The block had taken the rough shape of a four-footed animal with a big patch of wood still obscuring the head. Johann felt the edges of the wood and followed the contour of the knots. After much honing and careful whittling, a rough elk or reindeer could be discerned. It was carefully shaved and shaped by Johann's hand, by the strokes taught by the master carver, and by the words used to direct the boy. Near the autumn of the year, Johann sanded his reindeer, rounding off all the sharp, hard edges. Hours and days and weeks'-worth of work had been poured into the small figure. The woodworker nodded his approval, saying little when Johann showed him the finished piece.  

"Do ye have anything else ye can bring to life like tha'?" the older man queried. The boy thought a moment and pulled out his piece of coal, still in one of his enormous pockets. "This?" he offered. "No, tha' will not do. But I will tell ye what you can do with that..." He showed Johann how to gather the right sorts of scraps to make soap, then they broke the coal into smaller pieces and made a little fire. Over that small fire swung the kettle and soap ingredients, needing to be boiled before it could fully become soap. When it was completed, Johann sold the soap to earn a few pence for a Christmas dinner for his family. It was not much money, but he could buy bread, cheese, and a bit of fruit to share. One would have thought Johann had provided a kingly feast the way his family exclaimed and enjoyed that meal.

Before bed, Johann pulled out his treasured reindeer. He knew what he wanted to do with it. Saint Nicholas always gave gifts, but he never seemed to receive any. Carefully, Johann put the deer near his stocking with a crudely lettered tag: For Saint Nicholas. He crawled into bed feeling glad and tired from his day's work and celebrating. 

Early in the morning, Johann slipped out of bed and hurried to his stocking. It lay on the floor, filled with chocolate bits, a coin or two, a pear, some sweet rolls, and a block of wood. A neatly lettered note sat in the place of the reindeer: Dear Johann, it said, thank you for the gift you left me, it is beautiful. I see that you used my gifts from last year very well. If you will continue to work with your hands, use your gifts wisely, and share out of your small profits, you will prosper. Johann carefully stored the chocolate and coins, shared his sweet rolls with his two brothers, and saved the pear for his woodcarving friend. He fingered the block of wood, wondering what lived inside this one. Soon he would know. He set off for the workshop, eager to watch the carpenter work, to smell the fresh wood shavings, and to put his hands and head to the tasks before him. So, Johann grew and prospered, all because Saint Nicholas had given him a block of wood and a lump of coal.

—The End.

Childlike. . .Wonder

Chill air makes me pull my covers closer just as my alarm buzzes. I roll over, swat my phone, and snuggle back under the blankets. Then I slit open one eye to see what the morning has brought. Suddenly I am all awake: the sky is grey, but the evergreens are shadowy jade, frosted with feather-flakes of snow. Snow! It is early this year, and cold, and...delightful. I can hear sleigh bells in my dreams, and though I am quick, I can never quite catch a glimpse of Jack Frost as he paints my windowpanes—which is a stunning feat, as I have a dozen panes before my desk.

My blood quickens at the thought of wandering out in those downy flakes, listening to the strange hush that snow always brings with it. My body is slower to answer the fairy calls—after all, covers are warm, the air in my house is decidedly not. After a good amount of standing by the heater, I am layered enough to sally forth into a world drenched in cold and quiet. There is wonder in the wintry wind. Magic laces the limbs of Old Man Cottonwood.

I stop on the bridge to watch the morning. Great puffs of snow shake off branches and glide into the stream. They are gone, liquid water once again, what moments before were airy snow-castles. The aching chill in my legs prods me to walk again. Still I watch the morning—the dancing snow, the plump little birds along my path—and I wonder about things. Do other people wonder about "things?" I wonder. I walk on, thinking of how the brown hedge next to me was teeming with living colour this Summer. How I clipped a lavender flower from it to wear in my hair. Do people my age wear flowers in their hair?

I question more and more whether I am an adult, or just a child inside an adult's body. Certainly I have learned some tact since childhood. Wait, is that tact, or have I learned to lie? Have I learned to gloss over something that I obviously see and am curious about? When does snow lose its magic and become merely an obstacle on the road? Do you become a grown-up when you step around a puddle rather than jumping in it? Does progress in years mean regress in seeing details like feathery finch bellies, pale peach against the snow? Does paying bills mean you stop chasing the rainbow's end? Does reality awaken us from our dreams?

The lenses of child-eyes have been mine for quite a long time. I think folks snicker at me sometimes after I walk by, wreathed in flowers or Autumn leaves. People often try to tell me that reality will burst my bubble; outlining various horrors, as if they are reality's servants, sent with sword in hand. One of my neighbours thinks I only appreciate happy endings, that I just pretend the Fall didn't happen, and that I need a dose of darkness to snap me out of fairy tales. Yet I realise that fairy stories have plenty of dark and morbid moments; many end unhappily-ever-after. I know the darkness of the Fall in my own heart and brain; in bitterness, betrayal, and broken bodies. I know Sorrow's shears, clipping off friendships that should have grown; snipping life out of loved ones, far too soon. It is always too soon, too young, too much...The Fall is too much with us.

The Fall is too much with us—should we shrink away in fear? Do we pretend it isn't real? No, that is a childish response, like hiding under the blankets from invisible night-fears. Thin quilts won't turn the blade of the Black Riders. What then is our defence? A heap of philosophy books to explain away the evil in the hearts of men? That is a cheap grown-up trick. Let us then be childlike—not childish—and revel in the fairy snows, walk so that we may see Beauty—rather than to burn calories. Let us know that the Fall happened, but not allow it to be the end of our stories. As Chesterton asserts, "Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey."1 Indeed, I need childlike faith that Smaug can be defeated—I already know that he exists. So for the Fall, I need to know it will one day finally and fully come untrue, because it daily threatens to undo me.

Yes, there is roadkill by the sidewalk, graffiti on the dumpster, and scraggly undergrowth along the river path where I walk. I do not deny these things. But there are majestic trees, glimpses of a snow-capped peak between branches, delightful bridges, and cheery little birds piercing the morning with sweet songs. It is Beauty that leads us to worship. Beauty, that restores sanity to our weathered souls. It is Beauty that turns our focus toward the One who made all things Beautiful in their time.2 That One is trustworthy and true, and He will make everything sad come undone one day...Interweaving myth into a Man and fairy stories into facts. 

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1. Chesterton, G. K., “The Red Angel” in Tremendous Trifles (New York: Dodd, Mead and Company, 1920) 130
   
2. Ecclesiastes 3:11 (ESVUK)