Squirrel Life

A pair of squirrels is playing tag in the autumn sun: around the fir, across my porch, over my roof. They flirt their tails and chirrup, they thunder boldly through the day, through life. Perhaps I envy them their simple lives—unworried about elections or the future. Yet, the squirrel can’t think about the fact that it is a squirrel. It can’t wonder what the purpose of its life is or if it matters in the world and the universe. A squirrel simply is. It fears predators and looks for food; it mates and bears young. The squirrel sails into the pumpkin on the porch with his tiny, fur-fringed hands; he turns brusque and reprimands when someone gets too close to him.

I, however, am not a squirrel. I get frustrated over elections. I am anxious about the future of our country and world, about the future for my niece and nephew, for the child being born today. I grew up with old-fashioned ideals and aspirations, with courtesy and a deep appreciation for human life. I grew up with a sense of wonder, with an awe of the numinous, with a firm belief that there is hope outside of my small self.

I grew up much like a squirrel. Like squirrels, people worked to make a home and provide meals. Fears were few and obvious, or so it seemed at first. I didn’t know cancer or divorce from personal places. War was in the Gulf, policemen were valiant and safe. Right and wrong were easy to discern. The people where I lived were the comfortable, trustworthy sort. Terrifying things were “out there”, not inside my safe world. But the borders of safety were breached. Evil and Sorrow and Death crossed the threshold. Not far behind were Uncertainty and Fear. I discovered that hard things, scary things were outside of my parents’ control, and certainly outside of mine. Squirrel-life shattered.

Sometimes I don’t like the realities and responsibilities that come with sentient, incarnational human-life. I don’t always appreciate the boon (or burden?) of being able to question if there is reality or if truth exists and is knowable. At times I let fear paint the picture that life is dark and crumbling and frightening. I let in the lies that marriage will fail, that motherhood steals one’s identity and is stifling, that tyranny and the ungodly will win.

Truth did not shatter with squirrel-life, however. Truth, in fact, illuminates life and gives me a clearer view. When the enemy of our souls portrays shadowy, suspenseful, formidable scenes of what life is for or is going to be, God stirs up the embers of truth. When the fire of truth is blazing it casts the shadows away, it gives me light to see that there is hope, there is redemption. All manner of things shall be made well. Sadness will come untrue.

When shadow-lies are shot-through with truth’s light, beauty and goodness gleam: as Christians we are the bride to a Bridegroom who will never desert or abandon us—He remains faithful, even when we are faithless. Marriage will not fail ultimately. I am reminded that children are a joy, that they deepen us and our ability to love and to sacrifice. Being a mother is part of one’s identity if they are called to that, but it does not mean they have to give up all the rest of their giftings. Mothers, in fact, change the world through their ideas, the truth they speak, and through their children, too. In the bright light of the truth I am reminded that Christians throughout history have faced wicked governments, evil oppression, violence, death, and injustice. Many in other countries face these things today. But evil cannot exist without the good thing it mocks and twists. And one day, if not now, it will be done away with, and the good, the true, and the beautiful will stand solid and bright and real.

Our salvation does not come through politics and laws. If those things we’ve looked to save us begin to crush us, they reveal themselves as the false gods they are. Some trust in chariots, some in horses—some trust in presidents and some in their own way of life—to save them, but we trust in the name of the LORD our God (Psalm 20:7). If, like Shadrach, Meshach, and Abednego, we must face the furnace, we still need not bow down to false gods. We will rise and stand upright (Psalm 20:8).

Like those men before us, we know that God can save us; even if He chooses not to deliver us from the fire, we are not lost. Our destination is sure and steady—even when we have wracked our limited minds over the questions of truth and certainty and reality. We question, we seek certainty, we have that uncomfortable gift of knowing that we don’t know it all. We walk in the questions, and we walk by faith. In that balance we thunder boldly through the days and we thunder through life, not like squirrels, but like the sons of God we are.

The Blur in the Brushstrokes

Particulars matter. Of course, so do Universals and Forms. I hold to a healthy mix of Aristotle and Plato, tempered by Jesus and His word. I find it interesting that the particulars make up the whole, even if the universal was set into place first. For example, God said, Let there be light, and there was; then He went on to make the sun, moon, and stars. The universal preceded the particulars.

However, we live inside the universe—that is, within the universals. We live inside one planet in our solar system, which is in our galaxy, inside the whole universe.  We live within time—second by second, the future becoming now, becoming the past—in such a rapid succession that it is a good thing we don't constantly focus on how fleeting the present is as it arrives. We would miss it if we did. We live inside the seconds, minutes, and hours that make up our days. We live inside the days and months that form the years. We live inside this framework of time, within our rolling universe.

All this I realised in a few moments when writing the date on the upper right corner of my journal, the place and time of day in the upper left. Upon studying abroad, I learned that most of the world writes the date in ascending order: day, month, year. This seemed logical and more practical to my understanding, and I quickly adopted the practise. In fact, North America (and parts of Canada) seems to be the only place(s) where dates are written in a mid-form of month, day, year.

When did this odd practise begin? Though I gave this question a bit more than a cursory search, I could not find a definitive answer. However, I was stunned as I realised that writing the date month-first deconstructs our very selves, as well as the universal framework in which we live. You see, if we begin, not with the overarching framework of the year of our Lord, nor the particular minutes or days that make up our part in that story, what do we have left? An arbitrary median that shows us neither the details nor the whole picture. It is like looking at an impressionist painting at a middling distance—it is merely blurry, causing one to miss the intricate strokes and colours of the up-close detail, as well as the clearer picture from a farther vantage point.

Our minutes and hours are how we spend our days, and as Annie Dillard says: "How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing."1 If we live only in the minutes, in the what we are doing, without the framework of the universal 'year of our Lord' or the metanarrative of all of history, then what we are doing becomes those unintelligible brushstrokes of a Monet, seen an inch from the canvas. Our moments in the story are unintelligible without a larger framework.

However, there is a big picture laid out from the beginning of time, from the conception of the universe. When we find ourselves placed inside of that framework, then our moments and days—how we spend our lives—flow in the picture. Our days are the light and shadow of a section of the painting. The stroke of our lives may seem incredibly small compared to the giant canvas, but our placement matters in the whole.

Is there room for something between the particulars and the universal? Like months slipped between days and years? Yes, of course. There is something between individual atoms and the galaxy: planets and stars; water and plants; animals, man, and more. So, too, there are individual humans as particulars, society as a whole. What comes between? I posit two middle-forms: the family and the Church.

Families are made up of individuals, helping one another both to survive and to thrive; society is made up of families composed of individuals. The Church (throughout time and space) is made up of individuals and families being knit together into the Body of Christ Jesus. It is these blurry middle-forms where we sometimes have a hard time seeing either the whole story or the individual words.

It's like a schoolhouse

of little words,

thousands of words.

First you figure out what each one means by itself,

the jingle, the periwinkle, the scallop

      full of moonlight.

Then you begin, slowly, to read the whole story.2

You know the individual words, you begin to see the whole story by the stringing and weaving of those words together into sentences, paragraphs, and chapters. The middle-form of a story is a chapter—often the length of the story that we read in one sitting—if we are savouring the book. A chapter is a good length of the story to read, to mull over, to build upon. But a chapter alone does a poor job of conveying the story as a whole with its plot and chronology; nor does a chapter catch the depth of the characters, their memories, histories, or significance to the whole. A chapter is a necessary middle-form or larger building block—much like a month—obviously somewhere between the details and the whole.

So, we return to families, the building blocks of society. There is really no such thing as an individual family—there are always extended relatives, family members marrying and branching out again and again. It is easy to see why we use the image of a tree to explain families, because there is that continual growth and branching, like a tree, that make up a whole. A family is a bit elastic, expanding in marriages and births, constricting in deaths. It is fluid, and thus a bit blurry; like a swift stream, like the Monet seen somewhere between brushstrokes and long-distance clarity. The present is the same, the blur between the future and history. The middle-form is always the blur, the brushstroke, the action point, the beam swinging from the crane in the building process. It is like present circumstances, rather hard to understand as you are going through them, but easier to see the edges, the whys and wherefores, after you have made it beyond, gaining perspective from the passage of time.

We live in the moments and the days—the particulars. Particulars build those middle-forms of family and Church, of months and years, of planets and stars; all within the frame of the whole picture, God’s universal story. The moments matter—become material—like paint on the canvas or inky words on a page. The middle-forms matter, too—setting lonely people into their right place; ordering words and paragraphs; building brick upon brick—so that we can see the family, or story, or home. We see the whole by the blurs in concert, the fragmented pieces coming together.

Little drops of water,

Little grains of sand,

Make the mighty ocean

And the pleasant land.

So the little moments,

Humble though they be,

Make the mighty ages

Of Eternity.3

_________

1. Dillard, Annie The Writing Life (New York, New York, Harper Collins, 2009), emphasis mine

2. Oliver, Mary, "Breakage" in Why I Wake Early (Boston, Massachusetts, Beacon Press, 2004), 32
3. Carney, Julia Abigail Fletcher, "Little Things" Public Domain

Beauty in Things Not Seen

Would a flower of the field still be Beautiful even if no one saw it? This question has followed me to many swaths of alpine tundra this hiking season. I have gazed on lavender thistles, white marsh marigolds, and tiny forget-me-nots amongst a host of other hearty flowers. My hiking companions often set their sights on the cathedral arc of a mountain range, a sun-dappled emerald lake, or towering waterfalls. Whereas, I am enthralled by daubs of colour in every hue, painting slopes and stream beds as we wind upward, always upward. Tiny tufts of moss delight me; so do mushrooms of various shapes—brown, white, and poisonous red. While my friends want a wide angle view from the top of our climb, I am seeking to catch the golden mead of light in a buttercup.

But, no, the dichotomy is not so stark. My breath is drawn away by the soaring heights of snow powdered rock-rims. My eyes burn salty as I watch the footprints of the wind twinkling on the surface of a mountain lake. My friends bend down to frame their photos with tall clover and clusters of yellow-headed flowers, though they are soon lost in the grandeur again. I am being taught to see the bigger picture, to look up from the detail and see the vast whole—making me feel small and a bit frail. I hope I am helping others to see the details that piece together the whole, to see the points that paint the image we behold.

The mountains and lakes I have seen on my array of hikes have long been landmarks, have long looked as they now look. The minute white and purple flowers dotting the springy turf will only last a few days or weeks. They have bloomed on purpose for this season, this day. After they fade, those specific blossoms will never again be seen. Their children will rise up next summer, but this year's will be gone forever.

On one particular hike, I threaded my way through thickets and early summer snow to see a crop of white marsh marigolds. No other footprints marked the path I took, and I wondered if anyone else would see these lovely little flowers this season. Then I wondered what hordes of flowers existed that no one would see at all this summer. Various wildflowers would bloom in nodding hosts, remote and unseen by human eyes. They would still be beautiful, breathing their fragrance out as an incense of praise to their Creator. They would still dot the land with beauty, even if no eye beheld them. Their beauty would not be wasted, their plant-lives would not be in vain, because they would be blossoming. They would be doing what they were made to do, whether anyone noticed them or not.

Flowers have no cognisance of their purpose, no understanding of being or Beauty. Humans, do, however—we desperately want others to notice our existence, our efforts. Often, we feel like our work—our very selves, even—only have purpose when validated and praised by others. Yet, human beings are worth more than all the flowers covering the surface of the planet. We are valuable before we even start doing anything. Our intellect, looks, and work are not what give us worth or purpose or acceptance. Being fully human, what we were made to be, is our act of praise. Perhaps I should say it is our being of praise to the Creator.

We are given this span of life, ephemeral like the summer's flowers. We are given now—not the past or the future. We may never do something monumental and lasting for the eyes of future  generations to see. 'One day...' may never come when we planned to do this or that, or to be such and such. We have today. We have now. Let us give thanks in this moment. Let us love God now. Let us speak a true word of encouragement, of kindness, today. Not in neglect of the hope of tomorrow and a multitude of tomorrows to come—rather, as a point to live in the present, which builds a foundation for tomorrow and the days to come.