The Blur in the Brushstrokes

Particulars matter. Of course, so do Universals and Forms. I hold to a healthy mix of Aristotle and Plato, tempered by Jesus and His word. I find it interesting that the particulars make up the whole, even if the universal was set into place first. For example, God said, Let there be light, and there was; then He went on to make the sun, moon, and stars. The universal preceded the particulars.

However, we live inside the universe—that is, within the universals. We live inside one planet in our solar system, which is in our galaxy, inside the whole universe.  We live within time—second by second, the future becoming now, becoming the past—in such a rapid succession that it is a good thing we don't constantly focus on how fleeting the present is as it arrives. We would miss it if we did. We live inside the seconds, minutes, and hours that make up our days. We live inside the days and months that form the years. We live inside this framework of time, within our rolling universe.

All this I realised in a few moments when writing the date on the upper right corner of my journal, the place and time of day in the upper left. Upon studying abroad, I learned that most of the world writes the date in ascending order: day, month, year. This seemed logical and more practical to my understanding, and I quickly adopted the practise. In fact, North America (and parts of Canada) seems to be the only place(s) where dates are written in a mid-form of month, day, year.

When did this odd practise begin? Though I gave this question a bit more than a cursory search, I could not find a definitive answer. However, I was stunned as I realised that writing the date month-first deconstructs our very selves, as well as the universal framework in which we live. You see, if we begin, not with the overarching framework of the year of our Lord, nor the particular minutes or days that make up our part in that story, what do we have left? An arbitrary median that shows us neither the details nor the whole picture. It is like looking at an impressionist painting at a middling distance—it is merely blurry, causing one to miss the intricate strokes and colours of the up-close detail, as well as the clearer picture from a farther vantage point.

Our minutes and hours are how we spend our days, and as Annie Dillard says: "How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing."1 If we live only in the minutes, in the what we are doing, without the framework of the universal 'year of our Lord' or the metanarrative of all of history, then what we are doing becomes those unintelligible brushstrokes of a Monet, seen an inch from the canvas. Our moments in the story are unintelligible without a larger framework.

However, there is a big picture laid out from the beginning of time, from the conception of the universe. When we find ourselves placed inside of that framework, then our moments and days—how we spend our lives—flow in the picture. Our days are the light and shadow of a section of the painting. The stroke of our lives may seem incredibly small compared to the giant canvas, but our placement matters in the whole.

Is there room for something between the particulars and the universal? Like months slipped between days and years? Yes, of course. There is something between individual atoms and the galaxy: planets and stars; water and plants; animals, man, and more. So, too, there are individual humans as particulars, society as a whole. What comes between? I posit two middle-forms: the family and the Church.

Families are made up of individuals, helping one another both to survive and to thrive; society is made up of families composed of individuals. The Church (throughout time and space) is made up of individuals and families being knit together into the Body of Christ Jesus. It is these blurry middle-forms where we sometimes have a hard time seeing either the whole story or the individual words.

It's like a schoolhouse

of little words,

thousands of words.

First you figure out what each one means by itself,

the jingle, the periwinkle, the scallop

      full of moonlight.

Then you begin, slowly, to read the whole story.2

You know the individual words, you begin to see the whole story by the stringing and weaving of those words together into sentences, paragraphs, and chapters. The middle-form of a story is a chapter—often the length of the story that we read in one sitting—if we are savouring the book. A chapter is a good length of the story to read, to mull over, to build upon. But a chapter alone does a poor job of conveying the story as a whole with its plot and chronology; nor does a chapter catch the depth of the characters, their memories, histories, or significance to the whole. A chapter is a necessary middle-form or larger building block—much like a month—obviously somewhere between the details and the whole.

So, we return to families, the building blocks of society. There is really no such thing as an individual family—there are always extended relatives, family members marrying and branching out again and again. It is easy to see why we use the image of a tree to explain families, because there is that continual growth and branching, like a tree, that make up a whole. A family is a bit elastic, expanding in marriages and births, constricting in deaths. It is fluid, and thus a bit blurry; like a swift stream, like the Monet seen somewhere between brushstrokes and long-distance clarity. The present is the same, the blur between the future and history. The middle-form is always the blur, the brushstroke, the action point, the beam swinging from the crane in the building process. It is like present circumstances, rather hard to understand as you are going through them, but easier to see the edges, the whys and wherefores, after you have made it beyond, gaining perspective from the passage of time.

We live in the moments and the days—the particulars. Particulars build those middle-forms of family and Church, of months and years, of planets and stars; all within the frame of the whole picture, God’s universal story. The moments matter—become material—like paint on the canvas or inky words on a page. The middle-forms matter, too—setting lonely people into their right place; ordering words and paragraphs; building brick upon brick—so that we can see the family, or story, or home. We see the whole by the blurs in concert, the fragmented pieces coming together.

Little drops of water,

Little grains of sand,

Make the mighty ocean

And the pleasant land.

So the little moments,

Humble though they be,

Make the mighty ages

Of Eternity.3

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1. Dillard, Annie The Writing Life (New York, New York, Harper Collins, 2009), emphasis mine

2. Oliver, Mary, "Breakage" in Why I Wake Early (Boston, Massachusetts, Beacon Press, 2004), 32
3. Carney, Julia Abigail Fletcher, "Little Things" Public Domain

Secondhand Stories...

Honey-coloured sunlight pours warm across my shoulders, across the flyleaf of the little book in my hands, where a name is neatly inscribed. The name on the opening page is not my own—no, this little book was purchased used, from a cottage crammed rafters to floorboards with many of the book's kindreds. In such cases, I often wonder what would happen if the owner ever sold out of a stack—or even a single tome in the stack—in a crucial placement. Would the roof cave in, leaving a hole of sky-light rushing through?

Ah, but it was the name on the page that captured my attention, not said book's fascinating location when I came across it. The name was common enough, written in neat penmanship in the right-hand corner: Hunter Swanson. He must have been anxious to prove ownership or have his book returned to him, because he had also crimped the page with a 'From the library of Hunter Swanson' stamp. 

Why, then, is his book amongst my collection? By reason that I had inquired after that particular title in the curious, brimming bookshop. From those copious stacks, the proprietor went straight to a single column, fished out the book from sheer memory, and placed it in my hands. I was so impressed with his knowledge of the book towers that I bought the book on the spot. Granted, as I had entered the shop partly in search of that particular title, it was nearly inevitable that I would purchase it if found. 

Yet again I have strayed from Hunter Swanson and his book lying upon my glass-top table. Who would get rid of a book in which they had both stamped and inked their name? Or perhaps I should ask why? Why would a person give or sell their book to a fellow whose shop is held up by mounds of tomes? Did they despise the writing-style of the memoir? Was the book given to them by a Love, no longer part of their life? Maybe those names we see printed on cover pages have been printed in newspaper ink followed by date of birth and date of death. I do not envy the souls who have to sort, share, and sell a beloved's books upon their death. Or perhaps one has a small cabin which cannot store all of their books, so they give away the ones they have never read or do not plan to read.

There are simply handfuls of reasons why one might give away or sell their library. Still, it seems to me that if you wrote and stamped your name inside the cover of a volume, it must be one you like or would like to have returned to you. Perhaps Hunter Swanson will read this and ask for his book back, which would be a bit sad, because I would like to finish it. But I almost wish Mr Swanson would read this and request his book, because then I could ask him if it really was important and what he liked about it. I could know why this slim book ended up in the tottering piles in the first place. 

Sometimes people are like books in a secondhand store—you wonder how they are in such-and-such a state. Are they like they are because they have loved and lost? What has shaped the story of the person walking by in the airport, on the street, at your church? Where are they going? How will our stories overlap? If Jesus has written His love into our stories, does that love spill into the lives of those we meet? If Jesus has written His name across the cover page of our lives, that means He has claimed us, that He wants us back if ever we are lost. He sees something inside of us that makes us precious to Him—He sees His own signature written on the very first page. We are His, and that makes us valuable.

All these ideas germinated from a name scrawled in a small paperback edition of Pilgrim at Tinker Creek. For now, the book lives in a good home, producing much thought—and I have only read the flyleaf.

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* Cross-posted at humanepursuits.com

Thirty

It is getting late, as I tuck in a full day, the wind wrestling its way 'round my cabin. Snuggled under the blankets, I think back on the day... I awoke in the golden arms of the sunrise, a day older. A year older. A decade older. It is not often that these round milestones are placed in our palms, slipped into the pockets of our lives. They are a gift, marking a still moment to pause and reflect on the many hours and days that have built the last ten-year span. 

I wonder if I have used my first day in my thirties well. I question if I invested the days of my twenties wisely. Things did not go according to my plans this day, but they rarely do. Still, there were sweet gifts, surprise phone calls, dinner and ice cream with friends... There were cards, full of life-giving words, penned by some of my dearest friends. Words of hope and kindness. Inspiration to live worthy of my calling to display the Beauty of the Lord and His holiness. One note, with bold, black ink-words proclaimed—approximately—"Don’t be impatient. Wait for the Lord, and he will come and save you! Be brave, stouthearted, and courageous. Yes, wait and he will help you."*

Brave. I taste this word on my palate as if it has never escaped my lips before. As one who comes knowing that God is my Light and Salvation, I need not fear, I have only to be brave in His strength. Stouthearted. This reminds me of wholehearted, a word I have been meditating upon in the last few weeks. Yet stouthearted is nuanced differently. It implies one who will not falter in battle, who will bear up under trials. Yes, this is something I desire.

The last triplet-word rises before me: Courageous. I think of the many persons I know who have the courage to get up every morning, to live a life they did not—would not—choose. They bear the marks, the cost, of another's choices. It must take whole oceans of courage in their veins to to stand firm each day, I think. My life is not shaped by such trials. Do I, too, need courage? New Covenant words flit into my mind: For we do not wrestle against flesh and blood, but against the rulers, against the authorities, against the cosmic powers over this present darkness, against the spiritual forces of evil in the heavenly places.* Yes, I need courage! Though I live under this present darkness, I take courage in the words, The LORD is my light and my Salvation; whom shall I fear? The LORD is the Stronghold of my life; of whom shall I be afraid?*

Who knows what the upcoming days of my thirties will hold? I do not know the mile-marking joys and sorrows to come, and I am glad. I would become impatient or burdened knowing that such things were ahead still. What I do know, as I listen to the wind howl and pull my quilt closer, is that every day will bring its 'dailyness'. There will be dishes to wash, laundry to fold, books to mail at work, food to be made and enjoyed, friends to hug, smiles to give and receive, and prayers shot like arrows toward Heaven throughout the day. There will be songs to sing, children to hold, hands to hold, sorrows to bear. There will be sharp words when I lose sight of Kindness. There will be life-giving words from the Spirit of God to breathe into souls. There will be the daily, walking hand-in-hand with the Eternal. In short, there will be the every day I already know, and the every day life that comes with ageing bones and bodies.

Daily dishes, rote words of liturgy, or our own stale thoughts can seem dull, mindless, and lifeless. But when Christ, Who is our life, breathes daily into us, we surge with liquid life. Much like Aslan in the Narnia stories breathes upon creatures turned to stone, restoring their life, Christ restores meaning and joy in our quotidian moments. Folding laundry becomes built-in prayer time. Liturgy becomes the rhythm of life, keeping us in step in the Great Dance. God infuses our listless, rutted thoughts with new perspective—gained from friends, new-to-us books, a song, or by simply opening our eyes to Scriptures we have seen a thousand times, but have not known until now.

Annie Dillard once penned, "How we spend our days is, of course, how we spend our lives."* If I am aware of God in the midst of soapsuds and repeatedly sliding discs into plastic sleeves, in the writing of words and the sharing a smile; if I breathe out "Lord have mercy" and inhale His mercy, then I am learning life-rich liturgy rooted in Christ. That seems a good way to live a day, a year, a decade...and a life.


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* Psalm 27.14 (TLB)
* Ephesians 6:12 (ESVUK)
* Psalm 27:1 (NKJV)
* Dillard, Annie, The Writing Life (New York: Harper Collins, 2009)